The fleurons are lovely this time of year…

Just as some of us use italic ampersands in order to liven up dreary type, designers sometimes turn to ornaments in order to embellish text. In the past, red was the preferred color for fleurons, because red was so often set up as the second color on a two-color print run. Dingbat fonts aren’t very interesting, and Adobe Wood Type Ornaments have been raided with embarrassing frequency, but if one keeps one’s eyes peeled, there are other typographic elements which can be employed as decorations.

I recently found an upper case V in a Spencerian script font, which worked well as ornamental brackets for a logo which was done in Roman small caps.

By converting type to vector paths, one can reshape type, combine letters, extend swashes and modify terminals. Sometimes, one might even create a fleuron where none existed before.