This font does not include ligatures, and predates the symbol for Euros.
B. “Hap” Kliban (1935–1990) offered Barf Bold in one of his extraordinary cartoon collections in the late ’70s. Kliban created a cartoon genre that consisted of a single panel with a droll third person narration (e.g., “Houdini escaping from New Jersey”).
My favorite letter is x. It has a wonderful symmetry. What’s your favorite letter?
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Awful Puns, Decorative, Display, Typography | Tagged: B. Kliban, Cat, Gary Larson et al, Hap Kliban, Never Eat Anything Bigger Than Your Head, Single panel third person, typographic regurgitation | 
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Typographic stereotype (hey, the chef loved it).
Probably the most recognizable and ubiquitous of “ethnic fonts” are the faux Asians: Ginko, Kanban, Mandarin, Rickshaw, Wonton, et al. Also available are cliché representations of Greek, Arab, Yiddish, African American, Tropical Hispanic, Slavic, Franco-Asian, French, Basque, and Klingon.
Paul Shaw’s piece in Print Magazine about ethnic stereotyping in graphic design got me to thinking about the many stereotypes that typography can convey:
hippies, trekkies, scrapbookers, programmer/geeks, new-agers, believers in unicorns, headbangers, fratboys, needlepointers, taggers, restroom taggers, creative renaissance fairgoers, secret agents, and cowboys.
But since we all use the Roman alphabet, how are we ever going to stereotype Italians?
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Awful Puns, Graphic Design, Signage, Typography | Tagged: Asian fonts, chop suey fonts, Ethnic stereotypes, stereotypes | 
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